Tuesday, 22 September 2026

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Pulse Film Founders Accuse Vice of ‘Creative Bankruptcy’ Over Unpaid $20‑Million ‘Script’

Pulse Film Founders Accuse Vice of ‘Creative Bankruptcy’ Over Unpaid $20‑Million ‘Script’

At the heart of London’s ever‑twisting entertainment corridors, Thomas Benski and Marisa Clifford have swapped their usual producer’s coffee for a briefcase of legal paperwork, alleging that Vice Media has left them with a script titled ‘Unpaid Debt: The Sequel’. The pair say the £20.43 million promised when Vice bought the remainder of Pulse Films in 2021 has vanished into a black‑hole of balance‑sheet footnotes, prompting them to file a claim that reads like a courtroom drama rather than a production brief.

In a filing that could double as a punch‑line at the next industry mixer, the duo accuse Vice of committing what they dub a ‘creative bankruptcy’ – a crime of omission where the only thing missing is the money to fund the next season of their beloved series. The lawsuit, lodged in the High Court, asks for the full amount plus interest, arguing that the unpaid sum is as essential to the show’s continuity as the next episode’s cliff‑hanger.

Vice’s legal team, accustomed to defending the brand’s reputation for edgy content, has yet to comment, leaving the media to speculate whether the response will be a press release, a snarky tweet, or perhaps an entirely new docu‑series titled ‘The Money We Owe You’. In the meantime, the founders have promised to keep their courtroom appearances as ‘stylishly lit as any London set’, insisting that even the judge’s chambers will receive a proper lighting plan.

Industry insiders note that the dispute shines a light on the increasingly murky financial choreography behind high‑profile TV deals, where equity swaps and minority stakes can become as tangled as a plot twist in a crime thriller. As the case unfolds, one thing remains clear: the real drama may now be less about gangsters on the streets of London and more about the accountants behind the scenes, who, unlike the on‑screen villains, seem to have a penchant for disappearing acts.

Should the court rule in favour of Benski and Clifford, Vice may be forced to settle the debt before the next season of ‘Gangs of London’ rolls out, ensuring that the only thing left to chase on screen are the fictional crooks, not the unpaid balance sheets.

if this one landed.